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                  Meet The 
                  Director  
                   
                  Subrata Sen was born in Kolkata in 1963. 
                   
                  After a brief stint in a bank as an officer, he joined 
                  journalism in 1987 in Anandabazar Patrika, the largest 
                  circulated daily in India. He shifted from ABP to The 
                  Statesman in 1992, where he remains till he made his first 
                  film Ek Je Achhe Kanya ( The Girl) in 2001. 
                   
                  Ek Je Achhe Kanya is Subrata Sen’s first film, which made 
                  waves in Bengal and India. It won massive critical acclaim and 
                  at the same time was a major success story in the commercial 
                  arena.
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            The film has been acknowledged by the Jadavpur University as the 
            “First New wave Film” for the young generation in the post Satyajit 
            Ray era. The film has been included in the University’s Film Studies 
            course from 2002. 
             
            Subratra Sen’s sudden decision to quit journalism, where he worked 
            as a correspondent in New Delhi, came as a surprise to many. Says 
            Sen, "After working for almost a decade in Delhi and covering seven 
            Prime Ministers of the country, I thought it was time to do 
            something else. May be, it was my mid-life crisis." 
             
            Sen never had any formal training in film-making. He describes 
            making of Ek Je Achhe Kanya his first training ground. However, as a 
            child, he came in close contact with Satyajit Ray, the master Indian 
            filmmaker, while writing for Sandesh, a children's magazine which 
            the maestro edited. It was probably Ray's over towering influence in 
            childhood, which initiated Sen in to delving in filmmaking. 
             
            But despite his close association with Ray, Sen has consciously 
            avoided Ray's style of filmmaking. "Ray is a fixation of Indian 
            Filmmakers. We have to get out of his influence and make movies 
            which are different, " he says. 
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